Free Essays on Picture of Dorian Gray: A Quick Analysis :: The Picture of Dorian Gray Essays

A Quick Analysis of Dorian Gray The story starts as Basil Hallward, a painter, is chipping away at a representation portraying a youngster named Dorian Gray. His companion, Lord Henry Wotton, is visiting and reveals to him that he thinks it is the best work Basil has ever done. He needs to know who the youngster is in the painting, as his attractive features are clearly extremely striking, yet Basil is hesitant to discuss it. Ruler Henry demands meeting Dorian, and in the end Basil presents them, in the wake of caution Lord Henry not to attempt to impact Dorian, since he is an awful impact. Dorian immediately takes to Lord Henry, captivated by the manner in which he talks and his extraordinary perspective on the world, which is really irritating, to me at any rate. Ruler Henry takes Dorian outside and delivers a discourse about how he thinks excellence is everything and that Dorian ought not squander his childhood since it is the most significant thing on the planet. All things considered, in any event he's not sha llow or anything like that. At the point when Basil completes that painting, Dorian has a hissy tantrum since he understands that while he develops old and appalling, the work of art will remain always youthful. He wishes that the canvas would age and he would stay wonderful until the end of time. Approach to go, Dorian. The following day, Lord Henry visits his uncle, Lord Fermor, and discovers increasingly about Dorian's past and his parentage. He winds up completely fixated on Dorian and the force he believes he has over him. Afterward, he visits his auntie, Lady Agatha, and Dorian is there. We get the chance to get a greater amount of his dubious thoughts on a few subjects. Everyone appears to be shocked at the manner in which he thinks, yet I surmise he is enchanting to such an extent that they gobble it straight up. A short time later, Dorian trench Basil to go out with Lord Henry, which is truly cold. Anyway, after a month, Dorian reveals to Lord Henry that he has become hopelessly enamored with an entertainer named Sybil Vane. They have an exchange wherein Dorian clarifies how he met Sybil (motivated by Lord Henry and needing to know everything about existence, he went to a playhouse in an awful piece of town, saw her in a Shakespearean play, and was stricken to the point that he came back to see her consistently since) and Lord Henry offers significantly MORE of his perspectives, which principally comprise of (progressively) cocky, egotistical speculations, also the steady generalizing of ladies. Free Essays on Picture of Dorian Gray: A Quick Analysis :: The Picture of Dorian Gray Essays A Quick Analysis of Dorian Gray The story starts as Basil Hallward, a painter, is taking a shot at a picture portraying a youngster named Dorian Gray. His companion, Lord Henry Wotton, is visiting and discloses to him that he thinks it is the best work Basil has ever done. He needs to know who the youngster is in the painting, as his attractive features are clearly extremely striking, yet Basil is hesitant to discuss it. Master Henry demands meeting Dorian, and in the long run Basil presents them, in the wake of caution Lord Henry not to attempt to impact Dorian, since he is a terrible impact. Dorian immediately takes to Lord Henry, intrigued by the manner in which he talks and his exceptional perspective on the world, which is entirely irritating, to me at any rate. Master Henry takes Dorian outside and gives a discourse about how he thinks magnificence is everything and that Dorian ought not squander his childhood since it is the most significant thing on the planet. Indeed, in any event he's not shallow or anyth ing like that. At the point when Basil completes that painting, Dorian has a hissy tantrum since he understands that while he develops old and appalling, the artistic creation will remain everlastingly youthful. He wishes that the canvas would age and he would stay excellent for eternity. Approach to go, Dorian. The following day, Lord Henry visits his uncle, Lord Fermor, and discovers increasingly about Dorian's past and his parentage. He ends up completely fixated on Dorian and the force he believes he has over him. Afterward, he visits his auntie, Lady Agatha, and Dorian is there. We get the opportunity to get a greater amount of his disputable thoughts on a few themes. Everyone appears to be dismayed at the manner in which he thinks, however I surmise he is beguiling to such an extent that they gobble it straight up. Thereafter, Dorian trench Basil to go out with Lord Henry, which is really cold. Anyway, after a month, Dorian discloses to Lord Henry that he has gone gaga for an on-screen character named Sybil Vane. They have an exchange where Dorian clarifies how he met Sybil (roused by Lord Henry and needing to know everything about existence, he went to a playhouse in a terrible piece of town, saw her in a Shakespearean play, and was stricken to such an extent that he came back to see her consistently since) and Lord Henry offers much MORE of his perspectives, which for the most part comprise of (progressively) snooty, narcissistic speculations, also the steady typifying of ladies.

Bag of Bones CHAPTER TWENTY-EIGHT

Ki lay sleeping soundly similarly as I had left her, on her side with the unsanitary minimal stuffed pooch gripped under her jaw. It had put a smirch on her neck however I hadn't the heart to remove it from her. Past her and to one side, through the open restroom entryway, I could hear the consistent plink-plonk-plink of water tumbling from the spigot and into the tub. Cool air blew around me in a velvety curve, touching my cheeks, sending a not unpleasurable shudder up my back. In the lounge room Bunter's ringer gave a diminish little shake. Water's despite everything warm, sugar, Sara murmured. Be her companion, be her daddy. Go on, presently. Do what I need. Do what we both need. Furthermore, I wanted to, which must be the reason Jo from the start attempted to get me far from the TR and from Sara Laughs. For what reason she'd made a mystery of her conceivable pregnancy, also. Maybe I had found a vampire inside me, an animal with no enthusiasm for what it thought of as syndicated program soul and opinion piece page profound quality. A section that needed distinctly to bring Ki into the washroom and dunk her into that tub of warm water and hold her under, viewing the red-edged white strips sparkle the way Carla Dean's white dress and red stockings had gleamed while the forested areas consumed all around her and her dad. A piece of me would be more than happy to pay the keep going portion on that old bill. ‘Dear God,' I murmured, and cleaned my face with a shaking hand. ‘She knows such a large number of stunts. What's more, she's so screwing solid.' The washroom entryway attempted to swing shut against me before I could experience, however I pushed it open against barely any opposition. The medication bureau entryway slammed back, and the glass broke against the divider. The stuff inside flew out at me, however it was definitely not an exceptionally hazardous assault; this time the greater part of the rockets comprised of toothpaste tubes, toothbrushes, plastic jugs, and a couple of old Vick's inhalers. Swoon, black out, I could hear her yelling in disappointment as I yanked the fitting at the base of the tub and let the water begin sputtering out. There had been sufficient suffocating on the TR for one century, by God. But then, for a second I felt a staggeringly compelling impulse to return the module while the water was still profound enough to carry out the responsibility. Rather I removed it its chain and tossed it down the lobby. The medication bureau entryway applauded shut again and the remainder of the glass dropped out . ‘How many have you had?' I asked her. ‘How numerous other than Carla Dean and Kerry Auster and our Kia? Two? Three? Five? What number of do you need before you can rest?' Every one of them! the appropriate response shot back. It wasn't only Sara's voice, it is possible that; it was my own, too. She'd gotten into me, had snuck in by method of the cellar like a criminal . . . what's more, as of now I was believing that regardless of whether the tub was unfilled and the water-siphon incidentally dead, there was consistently the lake. Every one of them! the voice cried once more. Every one of them, sugar! Obviously just every one of them would do. Up to that point there would be no rest for Sara Laughs. ‘I'll assist you with resting,' I said. ‘That I guarantee.' The remainder of the water twirled away . . . be that as it may, there was consistently the lake, consistently the lake on the off chance that I altered my perspective. I left the washroom and glanced in on Ki once more. She hadn't moved, the impression that Sara was in here with me had gone, Bunter's chime hushed up . . . but I felt uncomfortable, reluctant to disregard her. I needed to, however, if I somehow happened to complete my work, and I would do well not to wait. District and State cops would be along in the end, storm or no tempest, brought down trees or no brought down trees. Indeed, however . . . I ventured into the lobby and glanced precariously around. Thunder blasted, however it was losing a portion of its desperation. So was the breeze. What wasn't blurring was the feeling of something watching me, something that was not-Sara. I stood where I was a second or two longer, attempting to disclose to myself it was only the sizzle of my overcooked nerves, at that point strolled a few doors down to the passage. I made the way for the stoop . . . at that point glanced around again strongly, as though hoping to see a person or thing sneaking behind the furthest finish of the bookshelf. A Shape, maybe. Something that despite everything needed its residue catcher. Be that as it may, I was the main Shape left, in any event in this piece of the world, and the main development I saw was swell shadows tossed by the downpour moving down the windows. It was all the while descending hard enough to redrench me as I crossed my go as far as the carport, however I gave no consideration. I had quite recently been with a young lady when she suffocated, had doomed close suffocated myself in the no so distant past, and the downpour wasn't going to prevent me from doing what I needed to do. I got the fallen branch which had gouged the top of my vehicle, hurled it aside, and opened the Chevy's back entryway. The things I'd purchased at Slips ‘n Greens were all the while sitting on the rearward sitting arrangement, despite everything tucked into the material convey handle sack Lila Proulx had given me. The trowel and the pruning blade were noticeable, however the third thing was in a plastic sack. Need this one of every an uncommon pack? Lila had asked me. Continuously sa]b, never grieved. Furthermore, later, as I was leaving, she had talked about Kenny's canine Blueberry pursuing seagulls and had given out with a major, healthy snicker. Her eyes hadn't chuckled, however. Perhaps that is the means by which you tell the Martians from the Earthlings the Martians can never chuckle with their eyes. I saw Rommie and George's current lying on the front seat: the Stenomask I'd from the outset confused with Devore's breathing device. The young men in the storm cellar made some noise then mumbled, at any rate and I hung over the seat to get the veil by its versatile tie without the smallest thought of why I was doing as such. I dropped it into the convey pack, hammered the vehicle entryway, at that point began down the railroad-attach steps to the lake. In transit I delayed to dodge under the deck, where we had consistently kept a couple of devices. There was no pick, yet I snatched a spade that admired a bit of gravedigging. At that point, for what I thought would be the last time, I followed the course of my fantasy down to The Street. I didn't require Jo to show me the recognize; the Green Lady had been highlighting it from the start. Indeed, even had she not been, and regardless of whether Sara Tidwell didn't in any case smell to the sky, I figure I would have known. I figure I would have been driven there by my own spooky heart. There was a man remaining among me and where the dim temple of rock monitored the way, and as I delayed on the last railroad tie, he hailed me in a scratching voice that I knew very well. ‘Say there, whoremaster, where's your prostitute?' He remained on The Street in the heavy storm, yet his cutters' outfit green wool pants, checked fleece shirt and his blurred blue Union Army top were dry, in light of the fact that the downpour was falling through him as opposed to on him. He looked strong however he was not any more genuine than Sara herself. I helped myself to remember this as I ventured down onto the way to confront him, however my heart kept on accelerating, crashing in my chest like a cushioned mallet. He was wearing Jared Devore's garments, however this wasn't Jared Devore. This was Jared's incredible grandson Max, who had started his profession with a demonstration of sled-burglary and finished it in self destruction . . . in any case, not before masterminding the homicide of his girl in-law, who'd had the nerve to deny him what he had so beyond a reasonable doubt needed. I headed toward him and he moved to the focal point of the way to square me. I could feel the virus preparing off him. I am stating precisely what I mean, communicating what I recollect as unmistakably as Possible: I could feel the virus preparing off him. Also, indeed, it was Max Devore okay, however got up like a lumberjack at an ensemble gathering and looking the manner in which he should have around the time his child Lance was conceived. Old yet solidness. The kind of man more youthful men may well turn upward to. Also, presently, as though the idea had called them, I could see the rest shine into black out being behind him, remaining in a line over the way. These were the ones who had been with Jared at the Fryeburg Fair, and now I knew who some of them were. Fred Dean, obviously, just nineteen years of age in '01, the suffocating of his little girl still more than thirty years away. Furthermore, the person who had helped me to remember myself was Harry Auster, the firstborn of my incredible granddad's sister. He would have been sixteen, scarcely mature enough to raise a fluff however mature enough to work in the forested areas with Jared. Mature enough to crap in a similar pit as Jared. To confuse Jared's toxin with shrewdness. One of the others wound his head and squinted simultaneously I'd seen that tic previously. Where? At that point it came to me: in the Lake-see General. This youngster was the late Royce Merrill's dad. The others I didn't have the foggiest idea. Nor did I want to. ‘You ain't a-passing by us,' Devore said. He held up two hands. ‘Don't consider attempting. Am I right, young men?' They mumbled snarling understanding the sort you could hear originating from any present-day posse of headbangers or taggers, I envision however their voices were far off; in reality more tragic than threatening. There was some substance to the man in Jared Devore's garments, maybe in light of the fact that in life he had been a man of tremendous essentialness, maybe in light of the fact that he was so as of late dead, however the others were minimal more than anticipated pictures. I began forward, moving into that heating chilly, moving into the smell of him a similar invalid scents which had encircled him when I'd met him here previously. ‘Where do you believe you're going?' he cried. ‘For a sacred,' I said. ‘And no law against it. The Street's where acceptable little guys and detestable canines can walk one next to the other. You said so yourself.' ‘You don't comprehend,' Max-Jared said. ‘You never will. You're not of that world. That was our reality.' I quit, taking a gander at him inquisitively. Time was short, I needed to be finished with this . . . be that as it may, I needed to know, and I thought Devore was prepared to let me know. ‘Make me comprehend,' I said. ‘Convince me that any world was your reality.' I took a gander at him, at that point at the glimmering, translucent figures behind him, bandage tissue stored on sparkling bones. ‘Tell me what you did.' ‘It was all

4 Comics for Fans of Making a Murderer

4 Comics for Fans of Making a Murderer This post was originally published at Panels, our sister site about all things comics! Check out more from them here. _______________ While the sophomore  season of Serial has yet to recapture the the zeal surrounding its debut caper, true crime enthusiasts have found a new obsession on Netflix. The 10-episode Making a Murderer documentary is a sensation. A decade in the making, it chronicles the prosecutionand some argue persecutionof Wisconsins Steven Avery and his nephew Brendan Dassey for the 2005 abduction, rape, murder, and mutilation of photographer Teresa Halbach. The crux for the defense teams, particularly in Averys case, was the suggestion that Avery, previously released from prison after serving 18 years for an assault he didnt commit, had been targeted by vengeful county law enforcement and attorneys. Dasseys team further posited that the inept teen was coerced into providing a damaging, though wildly inconsistent confession implicating himself as well as his uncle in the crime. Is this simply a messy and disorganized prosecution, or were one or both of these men wrongfully convicted as the result of a deep conspiracy? Ive personally been watching the series in a loop since it premiered in December, pausing however infrequently to dash out for repeat screenings of The Force Awakens. The twists and turns in the investigation and ensuing trials makes for endlessly compelling television, the level of access an invaluable resource for fans and writers of true crime and legal dramas alike. Theres also something especially bittersweet about Dasseys story in particular, and much has been written about the snapshot of modern tragedy provided by the banal phone conversations with his beleaguered mother. Yeah?Yeah.Huh?Yeah?Yeah. Yeah. Next time on #MakingAMurderer paul montgoMERRY XMAS, YALL! (@fuzzytypewriter) December 23, 2015 Yep, Ive been caught in the riptide, alright. Ive lost days of sleep trying to parse Brendan Dasseys offhand mention of that girl who got eaten by the alligator. #MakingAMurderer paul montgoMERRY XMAS, YALL! (@fuzzytypewriter) January 1, 2016 Absolutely my favorite moment of #makingamurderer A post shared by Paul Montgomery (@fuzzytypewriter) on Jan 1, 2016 at 10:34am PST Right, so, where to turn to next. Especially for us comic readers. Well, Ive got some options for you. Green River Killer by  Jef Jensen and Jonathan Case   This ones the high water mark for investigative reports on high profile killers, the one I first recommend when asked for non-fiction crime comic recommendations. Stark and sobering, Jensen and Case offer an account of an evolving investigation. Just as the advancement of DNA testing exonerated and freed Stephen Avery after his 18 year bid, those same breakthroughs helped put Gary Leon Ridgway away for at least 49 murders in Washington state. This case is of particular interest because it centers on 180 days of interviews between Ridgway and investigator Tom Jensen, the writers father. Such access is vital stuff. And it doesnt hurt that this Eisner winning book is drawn by Jonathan Case (Batman 66), one of the industrys best craftsman. My Friend Dahmer by Derf Backderf This is generally the second book I recommend, right after GRK. Again, access is a big thing, but this is a very different book. Written and drawn with an R. Crumb level appreciation for the grotesque and banal in everyday life, My Friend Dahmer is an intimateif sometimes admittedly vagueremembrance of a sociopath in his troubled youth. John Derf Backderf attended Richfield, Ohios Revere High School with Jeffrey Dahmer. Friendships are a tricky thing, and Backderfs seemingly candid depiction of his relationship with Dahmer suggests something closer to observer and curiosity than any deep bond. But the authors speculation about Dahmers home life is a tender addition to the story, particularly as he attempts to make sense of the violence to come. Surviving Saskatoon: Milgaard and Me by David Collier This is a bit of a deep dive and may prove a bit of a goose chase in the vein of finding a green Toyota Rav4 in a packed salvage yard (then again). Published back in 2000, cartoonist David Collier (American Splendor) recounts the trial of another David, Milgaard, wrongfully convicted in 1971 for the rape and murder of a nursing assistant named Gail Miller. Its also a portrait of both  Davids native Saskatoon at the time. Though he was only eight at the time of Milgaards trial, Collier vividly recalls a deeply conservative community, rigid and suspicious. By the time Milgaard was released, a year before Collier released his comic, the man had served 23 years in prison. The essay strip is also collected in Portraits of Life. The Lindbergh Child: Americas Hero and the Crime of the Century (Treasury of XXth Century Murder) by Rick Geary As you can see from the parenthetical in the title, Gearys pretty serial, erserious, about serial killers. Hes written and drawn six graphic accounts of graphic murders from the 20th century, eight more from the Victorian era. Any of them would prove ideal followups to Making a Murder viewers, but Im singling out this, the first in this XXth Century Murder series, for the conspiracy element. The 1932 disappearance, ransom, and murder of toddler Charles Lindbergh,  Jr.  remains a contentious case (as well as a not-so-timely anecdote my mother offers helpless cashiers when shes unable to find correct change in her massive, overstuffed purse). Over a two year investigation numerous suspects were sought and a number of attention-craving interlopers strove to insinuate themselves into the affair. Gearys profiled far more prolific killers, but the Lindbergh case trumps them all for convolution and a startling whorl of deception. Sign up to The Stack to receive  Book Riot Comic's best posts, picked for you. Thank you for signing up! Keep an eye on your inbox.

The Cuban Descent - 991 Words

Cultural competence is a set of behaviors, attitudes, and policies, among professionals enabling them to work competently in cross cultural events. It is the ability to provide care to patients with diverse beliefs, behaviors, and values. This also involves meeting a patient s cultural, language, and social needs. Health care related disparities, changing demographics and globalization make it important that nurses are culturally competent in the workplace. To do this, nurses must be able to engage in cultural self assessment, value diversity, and be culturally aware. Nurses must also understand and effectively respond to cultural differences. As a culturally competent nurse, you will have a more effective interaction with patients and families. If a patient of Cuban descent is assigned, specific nursing considerations are needed such as maintaining eye contact, using body language to help explain any teachings, making the family feel as involved as possible, and keep in mind that the family’s opinion is considered very important. One characteristic of the Cuban culture that must be considered when providing culturally congruent care is eye contact, body language, and talking in close proximity is very important when communicating. A second characteristic is family is very important, the family’s opinion is highly regarded. A third characteristic is the females of the household are the caretakers, therefore, any information about a child’s health or past medical historyShow MoreRelatedAfro Latino Identity : America1066 Words   |  5 PagesStates and you are preparing to fill out a census form. None the choices accurately display who you are racially. This is a problem for many people of Afro-Latino descent. 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ethical neutrality - 3677 Words

ETHICAL NEUTRALITY In what follows, when we use the term â€Å"evaluation† we will mean, where nothing else is implied or expressly stated, practical value-judgments as to the unsatisfactory or satisfactory character of phenomena subject to our influence. The problem involved in the â€Å"freedom† of a given discipline from evaluations of this kind, i.e., the validity and the meaning of this logical principle, is by no means identical with the question which is to be discussed shortly, namely, whether in teaching one should or should not declare one’s acceptance of practical evaluations, regardless of whether they are based on ethical principles, cultural ideals or a philosophical outlook. This question cannot be settled scientifically. It is†¦show more content†¦On that account, in the last analysis, it must be decided only with reference to those tasks which the individual, according to his own set of values, assigns to the universities. Those who on the basis of their q ualifications as university teachers assign to the universities, and thereby to themselves, the universal role of forming character, of inculcating political, ethical, aesthetic, cultural or other beliefs, will take a different position from those who believe it necessary to affirm the proposition and its implications – that university teaching achieves really valuable effects only through specialised training by specially qualified persons. Hence, â€Å"intellectual integrity† is the only specific virtue which universities should seek to inculcate. The first point of view can be defended from as many different ultimate evaluative standpoints as the second. The second – which I personally accept – can be derived from a most enthusiastic as well as from a thoroughly modest estimate of the significance of â€Å"specialised training†. In order to defend this view, one need not be of the opinion that everyone should become as much a pure â€Å"specialist† as possible. One may, on the contrary, espouse it because one does not wish to see the ultimate and deepest personal decisions which a person must make regarding his life, treated exactly as if they were the same as specialised training.Show MoreRelatedIS 535 Essay991 Words   |  4 Pagesfirm? Support your contentions. (Points : 25) 8. (TCO C) List and describe three main capabilities or tools of a DBMS. (Points : 25) 9. (TCO D) Describe and explain the idea of network neutrality. Are you in favor of network neutrality? Why or why not? 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Wikipedia states, â€Å"Net neutrality is the principle that Internet service providers and governments should treat all data on the Internet equally, not discriminating or charging differentially by user, content, site, platform, application, type of attached equipment, and modes of communication.† In the view in favor for Net Neutrality, it’s supporters believe that ISPs and the government do not have the rightRead MoreEthical Banking And Customer Satisfaction : A Comparison Between Bankmecu And Commonwealth Bank Of Australia2559 Words   |  11 Pages Ethical Banking and Customer Satisfaction: A Comparison Between Bankmecu and Commonwealth Bank of Australia CONTENTS 1. INTRODUCTION 3 2. LITERATURE REVIEW 3 2.1. CORPORATE SOCIAL RESPONSIBILITY 4 2.2. ETHICAL BANKING IN AUSTRALIA 4 2.3. THE RADICAL AFFINITY INDEX 4 2.4. CUSTOMER SATISFACTION 5 3. RESEARCH DESIGN AND METHODOLOGY 5 3.1. 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‘A Taste of Honey’- Improvements Free Essays

During the rehearsal period before our short performances of ‘A Taste of Honey’, each actor improved all aspects of their performance, from the interpretation to their proxemics on stage. This was due to our intense rehearsal period where we developed our own acting skills as well as our way of interpreting characters. One of the issues I faced whilst playing Geoff was how best to convey his love and caring toward Jo. We will write a custom essay sample on ‘A Taste of Honey’- Improvements or any similar topic only for you Order Now Because this is a core and essential part of his character, I felt that I had to work on this part of Geoff more than other parts. To achieve this, I worked closely with Poppy (who played the character of Jo) to perfect the scene which opens the piece we were performing, because this is the biggest chance we had to express Geoff’s feeling toward Jo whilst Helen is not in the scene. I included more gestures to show my feelings, such as stroking Jo’s shoulder and helping her up as she is pregnant- these worked together to show that my character cares immensely for Jo. In turn, several techniques helped me to perfect my interpretation. A strategy that I found extremely helpful was called ‘Reflection in Role’; during this process I was asked questions about my character directly after the scene had finished so that I would still be in role and have the feelings of the character fresh in my head. This technique helped to establish a relationship between our characters and develop our understanding of the Human Context. The next strategy which we used is called ‘Hot Seat’ which involved sitting in a chair in front on the class- in character- and being asked questions by the audience about feelings, relationships or statuses within the scene. This helped us to develop a deeper understanding of our character. Furthermore, one of the most common issues within our class was that our dialogue and the delivery of it didn’t sound believable in the ‘Kitchen-Sink’ context. The style of the piece was naturalistic which meant that our actions and the way we said our dialogue had to reflect this. An example of this is, during the fight scene, our lines had to overlap because this would be what would happen in a real fight- we had to make it seem like our lines were unscripted. Repetition of the scene helped us to familiarise ourselves with individual cues, certain moves between characters and being careful not to block each other- this was especially apparent in the scene where Helen is parading across the floor space and steps in front of Jo and Geoff quite often. To perfect the timing of this scene we practised it lots of times, as the repetition helped us to remember and time the section perfectly. Other techniques that we used included going through the scene without stopping- even if we did make mistakes- because this would highlight which areas we needed to improve. Because of the realism theme, everything had to feel as if it was happening for the first time. This was unusual for me, because I am used to each of my lines being heavily rehearsed and sound it. However, in ‘A Taste of Honey’ I had to act as if it was the first time that I had said it- and react accordingly. I found this particularly hard with the line: â€Å"Don’t tell her I came for you,† because I had rehearsed it so much that it had started to sound as if it wasn’t important to the scene- which it was. I improved this by changing the tone of my voice each time I said it, so that it would sound more genuine. In turn, these techniques also helped our next dilemma in rehearsing which were our positions on stage. Before we practised in front of an audience, our scene was using far too much space on stage; we improved this by restricting the amount of room we could use as a performing area. Our group also decided to experiment with different proxemics, so that we could show relationships and the interest and focus of the characters just by the positioning on stage. We also found that we often blocked each other on stage- especially during the fight scene- which would distract from the main action. This was easily corrected, however, and we were able to not upstage each other by our recorded concluding performance. Also, a common problem that some groups faced was that they forgot about their audience and played their character too much in profile so a lot of facial expressions were missed. This was fixed by remembering that the audience are the most important part of the theatre- if they were not there, there would be no theatre! The final obstacle that we faced as a group in our rehearsal period was how to vary the dynamics during the performance. As, during the scene, we are supposed to convey a variety of emotions to the audience we had to include different dynamics. To achieve this, our group experimented with different paces- especially during the argument section. We experimented with different pauses in places where they felt necessary to let the emotions of the scene process with the audience and to dramatize the moment. In each scene that required it, lines would be read at a fast pace, very quickly as to heighten the audience’s emotions and keep them on ‘the edge-of-their-seat’. In contrast, some of the scene was improved so that it was much slower than the rest of the piece. This would add tension to the scene (especially when Helen and Jo are discussing their futures) and would juxtapose the fight section. This would also create a stronger effect as it shows that Helen does truly care about her daughter but doesn’t know how to show or prove it. Before our rehearsal period our characters were very one-dimensional and ‘flat’, but after practising, interpreting, and getting used to our characters we were able to make them a lot more two-dimensional and more interesting to watch during a performance How to cite ‘A Taste of Honey’- Improvements, Papers

How Far Do You Agree That Wyatt’s Rebellion Was a Serious Threat to Mary’s Authority free essay sample

How far do you agree that Wyatt’s rebellion was a serious threat to Mary’s authority? Although Wyatt’s rebellion was, when compared to the riots and rebellions that visited the Tudor Dynasty, rather small in size, it had a large impact in that Queen Mary’s authority as Monarch was questioned and ridiculed by the actions that drove so close to her residence in 1554. Historians argue that the volatile combination of politics, religion and Mary’s personality were major factors in the rebellion’s formation as well as the fear the prospect of a Spanish King visited upon the nobles. Mary’s ascension to the throne of England was marked with extraordinary political and religious circumstance: the return of Catholicism in England marshalled by Mary was a decision met with gratefulness and one that pleased many of those citizens supressed under the Tudor dynasty’s progressive and eventually full protestant stance. However, Mary’s gender meant that she couldn’t enjoy the same levels of independence and power as those wielded by her brother and father. Mary’s announcement that she intended to marry Philip II of Spain in 1554 divided her privy council into two distinct groups; one opposing her marriage, favouring the possible courter, Edward Courtenay (Earl of Devon), and the other, who supported the Spanish Monarch. The reasons for these split alliances were deeply ingrained in foreign policy, with those supporting Philip’s prospects seeking the advantages of a strong Anglo-Spanish alliance, and those against it fearing the consequences of a future hereditary Spanish claim to the English throne and a possible need to aid Spain in future conflict. Some historians like Rex, believe that these circumstances in combination with Mary’s personal stubbornness and willingness to marry Philip II against the inclination of her government played a considerable factor in the fruition of Wyatt’s rebellion. However, there have been attempts by historians to counter this appraisal of Mary’s character, it has been suggested that the queen’s indecision in the negotiations over the restoration of Catholicism to England and more specifically her marriage to Philip was Mary being politically shrewd, tailored to win greater concessions for the English Crown from the Hapsburgs and the Vatican. Thus, it may be fair to attribute Mary’s personality as one of the largest contributing factors of her marriage to Philip and Thomas Wyatt’s consequent anti-monarchic movement whether these intended or not. It would thus seem that it was Mary’s personality and the ways in which her choices affected those around her which was the greatest motive for Wyatt’s rebellion. This view can be furthermore supported when acknowledging the fact that there was very little religious opposition remaining by the time of the rebellion, hence Mary could only be damaged as a result of her own political errors regarding the marriage. Turvell and Randall discuss this view, stating ‘At the beginning of the reign even the most zealous of urban radicals were not prepared to go against the mainstream of public opinion, and waited to see what would happen. Certainly, when Mary, using the royal prerogative, suspended the second Act of Uniformity and restored the mass, there was no public outcry. ’ Hence, historians may argue that Thomas Wyatt’s motives were spurred by the prospect of a Spanish king and were not religiously driven. The actual level of threat that the Wyatt rebellion posed to Mary’s authority is a subject of much debate. On the one hand, historians argue that the rebellion significantly challenged Mary’s position as queen, whilst on the other; the event has been described by historians such as Diarmaid MacCulluch as a demonstration of ‘the bankruptcy of rebellion as a way of solving problems’. This diversity in opinion stems for an array of contemporary circumstances. Those who view the rebellion as a serious threat are quick to acknowledge Elizabeth, who was at the time considered an apt alternative to her idiosyncratically minded sister. Elizabeth’s status as a Protestant may not have pleased the public opinion in England at the time but her young age and ability to bare children was something which Mary could not so easily contest. Similarly, the rebellion’s close proximity to London and Mary’s residence has bolstered its seriousness. Historian Tony Imparato agrees with this view, stating in his book ‘Protest and Rebellion in Tudor England’ that ‘Wyatt’s men marched on London and in doing so presented the most serious threat ever posed to Tudor government †¦ In the end, his force came within half a mile of where the queen was staying, but was forced to retreat. The view held by Imparato may address the seriousness of the Wyatt rebellion in so far as geographical closeness to Mary, but it does not fully explain the event’s consequences in revealing severe weaknesses in Mary’s government and the tenuousness of her position as queen. In his book, ‘The Early Tudors 1485-1558’ John Duncan Mackie discusses the greater extent of the rebellion and what it revealed about Mary’s court: ‘The queen’s Catholic friends had been ineffectual in the crisis and the battle had been won for her by men like Pembroke who had deserted Northumberland at the last minute. In expressing the ineffectuality of Mary’s Catholic allies, Mackie delves deeper into the rebellion’s longer term consequences and in demonstrating Pembroke’s desertion of Northumberland, highlights an only last minute decision by one of England’s most important political figures to support his queen. On the other hand, some historians have viewed Wyatt’s rebellion as having a lesser impact on royal authority. This view has been fuelled by the rebellion’s small levels of popular support as well as Courtenay’s ineptitude. This view is held by Colin Pendrill, who in his 2000 book ‘The English Reformation: Crown, Power and Religious Change, 1485-1558’ holds the view that the Wyatt rebellion failed and that three main issued led to this conclusion: ‘Anti-Spanish rumours did not bring about widespread support’, ‘News of the conspiracy leaked out in January 1554, so the conspirators had to act before they were ready and in the middle of winter’ and that the rebellion lacked support to such a degree that outright hostility was encountered in Coventry and that ‘Wyatt alone managed to raise some troops in Kent†¦Ã¢â‚¬â„¢. Pendrill’s supporting of the idea that there was a lack of common support for Wyatt’s anti-Spanish campaign may best present an objective and accurate view of the rebellion’s preamble. It was indeed the case that Wyatt only managed to gather around three-thousand Kentish men to lead to London, suggesting that his geographical location in Kent played somewhat to his favour as this is where the majority of anti-Spanish support was located. This may indicate that the rebellion’s support was in fact not at all widespread and that Wyatt was indeed fortunate to gain the support he did. In contrast to Imparato’s source, Pendrill remonstrates that Wyatt’s rebellion was little more than an unorganised march which posed no real threat to Mary or her constitution’s authority. Furthermore, Imparato’s view can be contrasted against that of historian P. J Hammer, who in his ‘Elizabeth Wars: war, government and society in Tudor England’ states that ‘Wyatt chose to surrender rather than risk a pitched battle without local support. Hammer’s source reinforces the idea that sympathy for Wyatt’s course was not widespread and was confined to the Kent area. In conclusion, on the basis of the evidence given, historians may view Wyatt’s rebellion to have been an unserious yet revealing challenge to Mary’s authority. Although a severe lack of support and disorganisation had cost Thomas Wyatt from reaching Mary, he had revealed to her the existence of core group of dissenters prepared to die in order to prevent an Anglo-Spanish throne in England. The extent to which Mary responded to the rebellion showed her anxiety and anger at the attempted challenge to her authority and for the execution of ninety rebels (including Wyatt himself), the exile of Courtenay and the executions of Lord Thomas Grey and William Thomas, the Wyatt rebellion should be viewed as ultimately unserious, but instrumental in heightening the anxiety of Mary and the lengths to which she would go to ensure her crown and constitution remained secure.